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Unique Accidentals: > 4
Unique Chords: > 10
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Baroque
Venice
kozmaf27
1:13 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 15 6 3 93%
Bass 14 8 3 3 100%
Violin Treble 14 4 4 5 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 15 6 3 93%
Bass 14 8 3 3 100%
Violin Treble 14 4 4 5 76%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
The Baroque Rake
Coolguyzack
1:12 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 15 0 5 4 100%
Harpsichord Treble 17 20 5 4 99%
Bass 11 10 2 4 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 15 0 5 4 100%
Harpsichord Treble 17 20 5 4 99%
Bass 11 10 2 4 99%
 
HWV8A1N3 - "Ah! Infelice mia patria," Act 1
edward.maurath
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
Amarilli 13 0 5 3 100%
Violoncello Bass 11 0 5 3 100%
 
Les Sauvages - Nouvelles suites de pièces de clavecin | J. P. Rameau
leonkopecny11
1:23 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 2 6 5 100%
Bass 29 14 8 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 2 6 5 100%
Bass 29 14 8 6 100%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
J.S.Bach - Well-tempered clavier, Book I, prelude19 (bwv864) for guitar
Daniel Rubin
1:05 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 12 9 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 12 9 7 98%
 
BWV245N15 - Christus, der uns selig macht
edward.maurath
1:18 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
Alti 13 0 4 4 100%
Bassi Bass 16 0 6 4 100%
Bassono Grosso Continuo Bass 16 0 6 4 100%
Bassoon Continuo Bass 16 0 6 4 100%
Contrabassi Continuo Bass 16 0 6 4 100%
FlautI TraversI Treble 9 0 1 4 100%
Oboe 1 Treble 9 0 1 4 100%
Oboe 2 Treble 11 0 4 4 100%
Organo Continuo Treble 14 20 5 4 100%
Soprani 9 0 1 4 100%
Tenori Treble 8 0 2 4 100%
Viola 8 0 2 4 100%
Violin 1 Treble 9 0 1 4 100%
Violin 2 Treble 13 0 4 4 100%
Violoncelli Continuo Bass 16 0 6 4 100%
 
BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück
edward.maurath
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
Alti 10 0 2 3 100%
Bassi Bass 13 0 3 3 100%
Bassono Grosso Continuo Bass 15 0 4 3 100%
Bassoon Continuo Bass 15 0 4 3 100%
Contrabassi Continuo Bass 15 0 4 3 100%
Flauto Traverso Treble 8 0 1 5 100%
Oboe 1 Treble 8 0 1 5 100%
Oboe 2 Treble 10 0 2 3 100%
Organo Continuo Treble 10 6 2 3 100%
Soprani 8 0 1 5 100%
Tenori Treble 13 0 4 4 100%
Viola 14 0 4 4 100%
Violin 1 Treble 8 0 1 5 100%
Violin 2 Treble 10 0 2 3 100%
Violoncelli Continuo Bass 15 0 4 3 100%
 
BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort
edward.maurath
1:12 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 12 0 4 6 100%
Harpsichord Treble 15 17 7 5 73%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 12 0 4 6 100%
Harpsichord Treble 15 17 7 5 73%
Bass 9 0 2 4 67%
Evangelist 17 0 6 3 73%
Organ Continuo Treble 10 9 2 6 33%
Bass 8 0 2 6 33%
Bass 8 0 2 6 33%
Jesus Bass 12 0 2 4 33%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%
 
BWV 4 "Wir essen und wir leben wohl"
edward.maurath
1:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 17 38 6 4 100%
Bass 21 14 7 6 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 17 38 6 4 100%
Bass 21 14 7 6 100%
Alti 8 0 1 4 100%
Bassi Bass 15 0 5 5 100%
Contrabasses (Continuo) Bass 15 0 5 5 100%
Cornetto col
Soprani		 11 0 3 3 100%
Soprani 11 0 3 3 100%
Tenori 12 0 3 4 100%
Trombone
col
Alti		 8 0 1 4 100%
Trombone
col
Tenori		 12 0 3 4 100%
Trombone col
Bassi		 Bass 15 0 5 5 100%
Viole 12 0 3 4 100%
Violini
1		 Treble 11 0 3 3 100%
Violini
2		 Treble 8 0 1 4 100%
Violoncelli (Continuo) Bass 15 0 5 5 100%
 
Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"
edward.maurath
1:10 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
Contrabass (Continuo) Bass 14 0 4 4 100%
Viole Alti
 12 0 3 4 100%
Viole

Tenore		 15 0 4 5 100%
Violini
1		 Treble 16 0 4 7 100%
Violini
2		 Treble 12 0 3 5 100%
Violoncello (Continuo) Bass 16 0 4 4 100%
 
HWV56N27 - All they that see him laugh him to scorn
edward.maurath
1:07 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
Cello Bass 14 0 3 7 100%
Contrabass Bass 14 0 3 7 100%
Vln
I		 Treble 15 0 5 6 100%
Vln
II		 Treble 14 0 3 6 100%
Viola 8 0 2 6 82%
Tenor Treble 8 0 2 3 64%
 
HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"
edward.maurath
1:29 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
Harp Treble 15 17 7 4 55%
Bass 15 15 12 4 57%
Harpsichord Treble 10 11 3 3 48%
Bass 15 13 8 3 52%
Cornelia 12 0 4 4 48%
 
BWV 21 #04 Wie, hast du dich
edward.maurath
1:12 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 10 0 3 3 100%
Contrabassi Continuo Bass 10 0 3 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 10 0 3 3 100%
Contrabassi Continuo Bass 10 0 3 3 100%
Organo Continuo Treble 13 11 5 6 100%
Tenore Treble 17 0 6 4 100%
Viola 11 0 3 7 100%
Violin 1 Treble 12 0 5 6 100%
Violin 2 Treble 13 0 4 6 100%
Violoncelli Continuo Bass 10 0 3 3 100%